Meat Loaf - Lost Boys and Golden Girls World Tour 1988

The Players
Meat Loaf: Vocals
Elaine and Amy Goff: Vocals
Bob Kulick: Guitar
Alan Merill: Guitar, Lead Vocals "Let The Revels Begin"
Steve Buslowe: Bass, Vocals
Domenic Ciccheti: Keyboards, Vocals
Chuck Burgi: Drums, Vocals

Stevie Lange: (Guest?) (Backing?) Vocals in Birmingham.

Birmingham 1988

  1. Scene: Fender Guitar (4:21)
  2. Out of the Frying Pan (And Into the Fire) (10:32)
  3. Masculine (10:37)
  4. Hot Summer Night / You Took the Words Right out of My Mouth (8:10)
  5. Let the Revels Begin (5:38)
  6. Darker Than Sin / Original Sin / Bad for Good (13:28)
  7. Modern Girl (9:06)
  8. Dance in my Pants (14:24)
  1. Don't Leave Me Here Forever (3:00)
  2. I'm Gonna Love Her for Both of Us (8:53)
  3. Lost Boys and Golden Girls (4:02)
  4. Bat out of Hell (12:29)
  5. Two out of Three Ain't Bad (9:42)
  6. Dead Ringer for Love (6:46)
  7. Midnight at the Lost and Found (6:25)
  1. Paradise by the Dashboard Light (24:02)
  2. Rock 'n' Roll Medley (18:08)
    1. Johnny B Goode
    2. Jailhouse Rock
    3. Slow Down
    4. Jailhouse Rock (reprise)
    5. Slow Down (reprise)
    6. Blue Suede Shoes
    7. Roll Over Beethoven
    8. Johnny B Goode (reprise)

"Johnny B Goode" and "Roll Over Beethoven" written by Chuck Berry, "Jailhouse Rock" written by Jerry Leiber and Mike Stoller, "Slow Down" written by Larry Williams, "Blue Suede Shoes" written by Carl Perkins

Recorded live at the N.E.C., Birmingham UK, March 20, 1988
Sound Engineer: James Staniford
PA Tech: Paul Johnson
Sound and Light: Steve Moles and Steve Connoley for Samuelson Concert Productions

128kbps mp3 (in other words: not for trade)

Rock 'N' Roll Dreams Come True — Live in Vienna 1989

  1. Scene: Fender Guitar (2:23)
  2. Out Of The Frying Pan (And into the Fire) (10:17)
  3. Hot Summer Night / Took the Words Right out of My Mouth (7:17)
  4. Let the Revels Begin (6:45)
  5. Darker Than Sin / Original Sin / Bad for Good (13:49)
  6. Scene: Hooks Torture, The Entire City Is Burning (3:07)
  7. Modern Girl (6:38)
  8. Scene: Who Needs the Young? / Dance in my Pants (12:10)
  9. Don't Leave Me Here Forever (5:29)
    1. Peel Out
    2. How Do You Bury the Skull of Your Country? (reprise)
  10. I'm Gonna Love Her for Both of Us (9:17)
  11. Lost Boys and Golden Girls (incomplete)

Recorded live at Kurhalle Obrlahr, Vienna, April 15th 1988
Sound Engineer: James Staniford
PA Tech: Paul Johnson
Sound and Light: Steve Moles and Steve Connoley for Samuelson Concert Productions

1×CDR (bad quality)
Remastered Ogg Vorbis (semi-decent quality)

Live in Vienna 1988

  1. Scene: Fender Guitar (2:23)
  2. Out of the Frying Pan (And into the Fire) (10:17)
  3. Hot Summer Night / Took the Words Right Out Of My Mouth (7:17)
  4. Let the Revels Begin (6:45)
  5. Darker Than Sin / Original Sin / Bad For Good (13:49)
  6. Hooks Torture, The Entire City Is Burning (3:07)
  7. Modern Girl (6:38)
  8. Who Needs The Young? / Dance In My Pants (12:10)
  9. Don't Leave Me Here Forever (5:29)
    1. Peel Out
    2. How Do You Bury the Skull of Your Country? (reprise)
  10. I'm Gonna Love Her For Both Of Us (9:17)
  11. Lost Boys and Golden Girls (incomplete)

Recorded live at Kurhalle Obrlahr, Vienna, April 15th 1988

1×DVDr, audience shot

SCENE: FENDER GUITAR

Hi!

They, they weren't gonna let me come tonite
I, ah, I know you've read in the papers some, some things, you know
That, eh, said I was a little crazy but, eh, you know
That that that that's not true!
I mean, they did come and strap me into this thing today,
And they put me in this little room, and it had nice soft, walls,
But, but I got out...
And I am gonna get out of this too!!

I mean, all I wanted
All I wanted to do is just come here and play a little rock and roll
I mean, all I wanted to do is just, just for you to have a good time
And for me to have a good time
And all of us, just to have a great time but, but noooooooooooo!!

They were closing in on me!
And they're closing in on you too!
They're always tryin' to tell us where to go!
Always tryin' to tell us what to eat!
q Tryin' to tell us who our boyfriend can be!
Tryin' to tell us who our girlfriend can be!
Tryin' to tell us when to get on the phone!
Tryin' to tell us when to get off the phone!
Tryin' to tell us who to play the record!
Tryin' to tell us who to not play the record!

Hi, this is Bob
Bob, you're always tryin' to tell us everything to do!
Tryin' to tell us when to get up!
When to go to school!
When to go to work!
When to set the alarm clock!
I can't take it anymore!

Simon, Simon turn on the lights!
I want everybody over there standin up!
Everybody stand up!
Everybody in the back stand up!
C'mon, get up, get up!
Everybody on this side- stand up!
Everybody stand up!
Everybody standin' up?!
Put your arms in the air!
Everybody put your arms in the air!
And repeat-
Keep 'em up! I'm not playing with a full deck you know!
Keep 'em up!
Repeat after me:

Bob! (Bob!)
Lets! (Lets!)
Play! (Play!)
Some! (Some!)
Rock! (Rock!)
And! (And!)
Roll! (Roll!)

SCENE: MASCULINE

[ postlude to Masculine ]

No one's
No one's allowed to dream
No one's allowed to dream inside the city
But outside the city
You can dream
You can dream
You can dream outside the city
And every night
Every night, night after night after night after night
I have the same dream
Over and over and over again
But the dream always seems, always seems to end here
I wake up, here
Oh, but tonigh
Oh but tonight the dream
The dream goes further than it's ever gone before
And you, you will go further than you've ever gone before
And I, I will go further than I've ever gone before
And this is where the adventure begins....

LET THE REVELS BEGIN

How can you bury the skull of your country?
And how can you bury a nation of fear?
Where you gonna hide through the long years of dying?
Give a tomb stone and a wreath of all your tears

Let the revels begin
While the night is still young
Let the revels begin
Call the children together

Let the revels begin
While the night is still young
Let the revels begin
Call the pack together....
(repeat)

SCENE: HOOKS TORTURE, THE ENTIRE CITY IS BURNING

Hook:
Confess!!
No!
No? Confess!!
No!
Yes, yes! Take him away!

It's so good of you to come
You have no idea who I am
I've never seen you and you've never seen me before
But I have a feeling
I have a very strong feeling
We're going to be very, very... best friends

I think- I think we're going to really enjoy getting to know one another
My name, my name is Hook
What's yours?
I ask you a very simple question
It requires a very simple answer, for most of you anyway
I'm going to ask you one more time: what is your name?
I didn't tell you to answer all at once, did I?
OK, you - right there, big mouth!
What is your name?
Will you shut up? I'm talking to him!
What is your name?
His name, is [insert name here]
[ rant about name ]
But I think I'm gonna change your name
How about Bullshit?
Yes, it's a very good name
It's a very modern name
These are modern times
And we live in a very modern world
And mother, here, and darling, here, are very modern girls

SCENE: WHO NEEDS THE YOUNG?

Hook:
Ha! I used to like that song
I don't like that song anymore
In fact - in fact, I don't like modern
In fact, I don't like fun
In fact- I fact, I hate fun
Booing on fun
Who needs the young?

Girl:
But being young is so much fun
Yeah Hooky, honey
And dancing is so much fun

Hook:
I don't believe I'm cut out for that sort of thing, darling
That swinging, and that swaying
While that music is playing, to that awful beat
Pretty soon they'll be dancing in the streets
That's right - they'll be dancing in Chicago
Way down in New Orleans

Girl:
Don't forget the Motor City
And they love dancing in [incert city here]

Hook:
I might, I might have known you'd react that way
When they mentioned the word [city]
Who needs the young?
My eyes, my eyes just aren't what they were
Is there anyone left who can see? Blind him!
My lips, my lips just aren't what they were
Is there anyone left who can kiss? Spit on him!
My sex, my sex just isn't what is was
Is there anyone left who can fuck? Screw him!
And my legs, my legs just aren't what they were
Is there anyone left who can dance? Cripple him!

Girl:
You! You are a sick, disgusting, blood-thisty, remorseless barbarian

Hook: So what?

Girl: C'mon you guys... can't we just dance?

SCENE: PARADISE BY THE DASHBOARD LIGHT

[ short opening scene, and first part of "Paradise" ]

Now that's what I've always dreamed of
I used to walk through school
And I used to see the most gorgeous girl in the world
And every afternoon, right after lunch
And I really enjoyed lunch
She used to pass me by
And I swear, I just stopped dead in my tracks every day
And I pretended that I could see
You've ever seen those things, you know, those X-ray vision glasses?
I used to fantasize that I had a pair of them X-ray vision glasses
And she would walk by me, and I could see right thru her dress
See her black bra, see her black panties
And right thru 'em! Oh my Lord!
And there she was, with my fantasize X-ray vision glasses
Barely seventeen, and she was barely dressed
Oh and I wanted to go out with her so bad
And every day, I..I..I, I would go "Excu..."
And the next day would go by and I'd go "Excuse..."
But then one day
One day my friend Billy Slocum loaned me his 1975 T-Bird convertible
That was candy-apple red
Had rolled and pleaded seats
Had a Mons four-track stereo - remember those? Hu!
Had a pair of foamrubber dice on the mirror
Had <?>pumeskin</?> tail on the antenna
Dark tinted glass
But the best of all, was a custom made dashboard
That was guaranteed to get you where you wanted to be
And we all know where that is
So that was that day
And I see her comin'
And I got on my fantasy X-ray vision glasses
But this time, no, I jumped right out in front of her
I said, "Stop right there!
Hi baby!"
She gave me the biggest smile, and she went, "Hi Meat Loaf"
And I said "Baby, would you like to go out with me on friday night?"
And I thought, from the look in her eye she was gonna go "I wouldn't go out with you, if you..."
But she went
"I would love to"
"What time?"
"Seven thirty?"
"You buy the beer, I'll be there"
I said, "Ok" and that was it...

[ Oh baby don't you hear my heart, etc. all the way to the end, for the infamous fight scene ]

Sung:
Oh so long
Never know what possesed me
To marry a bitch like that
No, never know what possesed me
To marry a bitch like that
No
Hey!
Never know what possesed me
To marry a bitch like that
That's not how the words go!
Never know what possesed me
That's not how the words go!
Hey! Come back! That's not how the song goes either

To marry a bitch like that, boy, boy

Spoken:
You know what?
What?
I don't really care
These people came here to hear Paradise and you're doing some reggea song
You know what?!
They've heard Paradise
But the one thing they didn't do
Is they sure for hell didn't see paradise
'Cause looking at you ain't fuckin paradise woman
I think they would like to differ with you on that, Meat Loaf
I don't think so!
You know what? I think I have a pair of reject X-ray vision glasses, that's what I think
But, 'cause you know what? I've seen better breast on chickens
Okay, c'mon it's your turn
Use your line now, c'mon I'm waiting for it!
C'mon let's have it girl!
I don't need to stoop to your level, it's obvious that I have a great...
What do you mean, you don't need to stoop to my level?
You've always stooped to some fuckin level
You know what, wanna know what kinda level it is? It's a fuckin lowlife level!
You know what?
You stooped so far, that you now wear some of the ugliest shoes I've ever seen
You stooped so far, that you wear some of the ugliest holes I've ever seen
You stooped so far, that you wear the ugliest skirt
I don't know what the hell those fuzzy little things on you're arm are, but they're fuckin up you too
How 'bout that fuzzy little belt?
How 'bout that fuzzy little top?
How 'bout that fuzzy little beads?
Fuckin big fuzzy hair!
Fuzzy ass chest, fuzzy ass nose
You sick as a dog, you won't even kiss me good
And I'm fed up with it, you understand me
I don't wanna know no more about you!
FUCK YOU!
Well, fuck you too!
What did you say
I said "fuck you too!"
Well, fuck you three!
I... can't... take... another... minute, hour, day, week, year, century, aeon, eternity... with you!

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